Public Domain (Free for Commercial Use) 16 font files Download. [64], In the post-war period and particularly in Switzerland a revival in Akzidenz-Grotesk's popularity took hold, in what became known as the "Swiss International Style" of graphic design. Eine neue recht verwendbare Schrift hat die Firma H. Berthold Akt.-Ges in Berlin geschaffen, eine in acht Graden geschnittene Royal-Grotesk, die sich zu allen besseren Accidenzen verwenden lassen und infolge ihres scharfen und sauberen Schnitts zur besten Wirkung gelangen wird. … [125] However, many adaptations and letters influenced by other typefaces were incorporated to increase legibility and make characters more distinct. [3] Its slanted form is an oblique rather than a true italic. Alternatives to Akzidenz Grotesk Font. Theinhardt. [132][133][134], The Swiss digital type foundry Optimo has released an alternative digitisation of Akzidenz-Grotesk named "Theinhardt", which Spiekermann has praised as "the best" Akzidenz-Grotesk digitisation. This style often contrasted Akzidenz-Grotesk with photographic art, and did not use all caps as much as many older posters. [103] Single-storey g.[104], upper case: A 'folded-up' structure with narrow apertures and strokes curled up towards the vertical, most obvious on letters such as c, e, s and a. Font manufacturer is AkzidenzGroteskPro-BoldEx. [18]) The differences in proportions between different sizes and weights of Akzidenz-Grotesk has led to a range of contemporary adaptations, reviving or modifying different aspects of the original design, discussed below. [126][127], A completely different "Akzidenz-Grotesk" was made by the Haas Type Foundry of Switzerland. "[112] Late in life Lange made no apology for it, commenting when asked about a design alleged to be a copy of one of his own original designs: "there are also people who say that the best Helvetica is my AG Book. Hoffmann, director of the Haas Typefoundry, specified the design; Max Miedinger drew it under his guidance. [122] Designed by Bernd Möllenstädt and Dieter Hofrichter, this typeface family features readjusted x-heights and weights throughout the family, giving a more consistent design. [39] This had been established by businessman and punchcutter Ferdinand Theinhardt, who was otherwise particularly famous for his scholarly endeavours in the field of hieroglyph and Syriac typefaces; he had sold the business in 1885. [66][67][68] Like Tschichold, Gerstner argued that the sans-serifs of the nineteenth century were more "matter-of-fact" (German: Selbstverständlichkeit) than the more "personal" recent sans-serifs of the previous decades. "[113], Digital versions included Greek and Cyrillic characters, and the family includes a condensed, extended, rounded and stencil series. Neue Haas Grotesk. This is reflected in two alternative forms of a and g. Sowersby has brought Akzidenz-Grotesk to perfection. "[97], A particular criticism of Akzidenz-Grotesk however, has often been that the regular weight has capitals that look unbalanced relative to the lower-case, as shown on the cover of Designing Programmes, which is problematic in extended text. The essential characteristics of this type have not been fully worked out: the lower-case letters especially are still too like their "humanistic" counterparts. "Tex Gyre Hero" seems to be a reasonable alternative: Free Font TeX Gyre Heros … According to Kupferschmid, Ideal-Grotesk, a separate sans-serif face Berthold sold in the first half of the twentieth century, is a Venus knockoff, possibly made by electrotype copying. [69], Regular, medium, bold, outline, bold outline and shaded styles were made for the family, but no obliques. Free Alternative: GNU Free Font Sans In the 1950s Günter Gerhard Lange, then art director at Berthold, began a project to enlarge the typeface […] Helvetica is considered the. Long story told short: A client licensed Akzidenz Grotesk from Berthold years ago. It has been described as a “Helvetica killer.” The designers of Aktiv Grotesk wanted to create something in between Helvetica and Univers by removing the quirks from Helvetica and adding a bit of warmth to Univers. [8] Modern type designer Martin Majoor has described the general design of Akzidenz-Grotesk and its ancestors as similar in letterforms to the Didone serif fonts that were standard printing types in the nineteenth century, such as Didot, Walbaum and their followers. Swiss 721 is a font from Bitstream library. FontFont's FF Schulbuch family is in a similar style. 15—Helvetica and Standard", "Erik Spiekermann's Statements re Berthold", Berthold Announces the Release of Akzidenz-Grotesk in OpenType Format, "Differences - Akzidenz-Grotesk and Futura", "Differences - Akzidenz-Grotesk and Franklin Gothic", "Differences - Akzidenz-Grotesk and Helvetica", "German, Swiss, and Austrian typefaces named Royal or Akzidenz", "Differences - AG Schoolbook Medium and AG Book", "Neuwelt: an optimistic transatlantic sans serif type family", "BERTHOLD AKZIDENZ-GROTESK - Trademark Details", "AKZIDENZ-GROTESK NEXT – Trademark Details", "Compendium of U.S. The original name of Helvetica was Neue Haas Grotesk but was later changed to Helvetica which means Swiss in Latin. Roboto. "[34] An unusual user of Berthold's Akzidenz-Grotesk in the period soon after its release, however, was the poet Stefan George. [9] Stroke endings, though, are less consistently horizontal or vertical than in Helvetica. Ulrich Stiehl suggests that this may have been one of the last additions to the metal type family: it does not appear in a 1959 advert. [111] Former Berthold font designer Erik Spiekermann has called Lange's "answer to Helvetica. Sans-serifs had become very popular in Germany by the late nineteenth century, which had a large number of small local type foundries offering different versions. A top serif on the 1 and in some styles a downward-pointing serif on the top left of the 7. Designed after Helvetica had become popular, it incorporates some of its features, such as strike-through tail in 'Q', a curved tail for the 'R', horizontal and vertical cut stroke terminators. Akzidenz-Grotesk's design descends from a school of general-purpose sans-serifs cut in the nineteenth century. [120], Akzidenz-Grotesk Old Face, designed by Lange and released in 1984, was intended to be more true to the metal type than previous phototypesetting versions and incorporate more of the original type's inconsistencies of dimensions such as x-height. Typewolf is an independent typography resource created by Jeremiah Shoaf. Since Akzidenz Grotesk served as the source of inspiration for many other sans-serif fonts such as Helvetica, Univers, and Folio, these can be considered valid alternatives. The font family is Berthold Akzidenz Grotesk.And sub-family is Light Condensed. Event in the sense of "something that happens", not in the sense of a high-class. Diese betrifft das Versal-R, dessen Querstrich zu tief steht, was auffällt und störend wirkt, wenn der Buchstabe zwischen B und E steht. Akzidenz Grotesk. This old typeface, which these days one would perhaps make in a more modern style, has a peculiar life in its own way which would probably be lost if it were to be altered. 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